Early in the morning we'll be startin' out
Some honeys will be coming along
We're loading up our woody
With our boards inside
And headin' out singing our song
At Huntington and Malibu
They're shooting the pier
At Rincon they're walking the nose
We're going on safari to the islands this year
So if you're coming get ready to go
Let's go now
Everybody's learning how
Come on now
Come on now
They're anglin' in laguna in Cerro Azul
They're kicking out in Dohini too
I tell you surfing's mighty wild
It's getting bigger every day
From Hawaii to the shores of Peru
Let's go now
Everybody's learning how
Come on now
Come on now
Dawn after the Seventh Sun
Gaia breathes again
Leaves of the sibyl blown into chaos
I, Piyadassi, beloved of the gods…
Lacuna in inscription
Civilisation faded into unknowns
A shapeless void
Bamiyan Buddha, eyes gouged out
LAYS amongst potshards,
Face up in DUST CLOUDS.
The sound of Dub
vibrations from the universe’s creation
Yoni Khôra, receptacle of all possible being
Divine craftswoman arranges atoms
Space is the canvas
Caligraphy of biographies
I love walking through the cleansing breeze
Picking up leaves
Apothecary on the heath
We’ll meet at the VnA then head to the Tate,
That place is my heaven.
Unreachable staircase
The pieces give me moments of experience
I reflect on the glass
A ghost RESIDES in this box,
you can’t see it but it is there
Buy a cheap pen from the gift shop
Note your SACRED dreams on the back of the flyer
Scrawl in the margins when space runs out.
The shape of your life yet to come.
Prakriti leads wandering purusha TO the dance OF freedom.
“I tell you the excellency of the present moment is dance
Master the movements within the grid
Find those moments of freedom in the grid
Then Escape from the grid!”
Looming tantra out of sutras,
Thunder Queen slays the chaos that blocks the path.
She who brings light,
beckons me onwards
“Take the leap,
Injunctions can’t be falsified”
But darkness engulfs the moon
I cannot continue, I fear the unknown,
Trembling above the precipice
I’d rather rest amongst the ruins
send me home!
I last saw you by the crossroads
Under the bells of Saint Pauls
Setting forth to Bifröst
Glistening in the all embracing sun
But your eyes were covered
I looked away, cowered
We didn’t speak
I ASSUMED time was endless
All I have now is an image
Which I struggle to recall
Days when we discussed trends and colour theory blending
Illustrations, sketchbooks
croquis spiralled onto tables, buying material
Dreams of trespassing the four great cities and the afterparties
Whilst drinking beer that spilled over
Amongst Melodious noise of glasses and jukebox samples
in a pub long since closed
our home town
“Cheers, I owe you one!”
“How did you get into the arts?”, [bring up the tone, fast pace, capture]
“I wanted it, I just signed up and I did it”
“You know, I rate that so much”
“You need to just do it!”
An old man emerged from amongst the passersby
Whispered in my ear
I was ripped out of everyday life
Chaos encircled rattling
I shook and screamed across the infinite universe
I am alone
We never SHARED goodbyes
What is the point of those profound days
when everything decays?
I heard your call and IMMEDIATELY RUSHED to guide you
When you ploughed the cursed earth
I was Bhumi in the dust
The locks of my hair dispelled the darkness
When you know that death is the end, you truly learn to live,
Make your dreams real
Learn to play that tune
The ghosts don’t want to hear you weepING
Visit those sacred places again for me
WHERE MY FEET CAN NO LONGER WANDER
I’ll be waiting at the giftshop
Everytime you open a new page…
“My relationship with Jazz is a long story. No need to go into that though. Like I said it before Jazz and Dub are unison foundation from my perspective. To prove it I can just make a small list of the artists I can call dub jazz masters: Sly & Robbie Meets Nils Petter Molvaer + Eivind Aarset & Vladislav Delay, Nick Page’s Dub Colossus who blends Ethiopian Jazz and Azmari music with Jamaican Dub, Jamie Saft’s New Zion Trio, Hamid Drake & Bindu, Bill Laswell who remixed both Bob Marley and Miles Davis, Herbie Hancock who covered Marley and has a lot of records produced by Laswell in the spirit of Hip-hop Dub, Dennis Bovell who produced The Pop Group and Fela Kuti, Jah Wobble and Invaders of the Heart and Jamaican legends who played Jazz festivals all around the world like Monty Alexander and Ernest Ranglin.
I must give a shout out to New Zealand, Europe and Britains innovators like Salmonella Dub, Mei Tei Sho, Fat Freddy’s Drop, Sons of Kemet, Nubiyan Twist, Joe Armon-Jones and American trumpeter Theo Crooker who put out records with Chronixx and Wyclef Jean. Most of them have at least a dub jazz album, if not many songs where the jazz philosophy clashes with dub art and science.
I feel so blessed to add a dub jazz release to our catalog with the help of these amazing friends: Marius Costache, Gordon Wedderburn, DJ Isuru and Shabbos Ranks. More dub, more jazz!” Obeah
Marius Costache is a music artist, studio engineer, and Bucharest-based music producer. His passion regarding sound transcends the modern thin line of musical genre and steps into the world where sonic laws are meant to be just an example, not a path.
He is Discordless, performs with Environments and Febra, and from his Studio148 has produced, mixed, and mastered ambient music, electronic, hip-hop, post-rock, noise, folk, classical, jazz, post-hardcore and Balinese sounds for bands like Goran Bregovic with Florin Salam, Mytrip aka Angel Simitchiev, Valerinne, Cyberian, White Walls, The Boy Who Cried Wolf, EMIL, COMA and labels like his own 148, dunk!records and our Bulgarian neighbors AMEK.
„Dub is not far from jazz. King Tubby was a jazz head, Lee Scratch Perry too, they were jazz heads originally, and most of the session musicians are jazz heads. So you got to get into jazz and I’m glad that my brother taught me about Charlie Parker and Herbie Hancock. Nowadays we have Courtney Pine, each generation comes with a new thing, and it’s an attitude, so dub to me is almost like a technical form of jazz. That’s how I look at King Tubby, he would express his interpretation of the music through dub, even though that wasn’t the original concept. To me it was always like he was making jazz, even though it’s dub, because he would use the equipment to make the textures, solos, breaks or whatever. I would try and do things that were unusual electronically, a smoother sound, or I might want something that was more abrasive, use technology like that.” Paul Smykle in an interview with David Katz
credits
released August 23, 2022
Gordon Wedderburn – dub poetry
DJ Isuru – spoken word poetry
Shabbos Ranks: Celeste Cantor-Stephens - trumpet, Sam Day Harmet - original Surfin' production, mandolin, bass & clarinet
Marius Costache – production, keys, percussion, sounds, mixing & mastering
Horseman aka Winston Williams – drums
Laura Benedek – electric bass on Chaos Is Dub
Mihai Moldoveanu – electric bass Dub Is Jazz
Lil Obeah – concept
Collage and Art Direction by Cristiana Bucureci
All Lil Obeah vocals recorded by Marius Costache at Studio148
Special thanks to Nick Page Dubulah aka Dub Colossus
Special thanks to Tim Wheelan and Hamid Mantu de la Transglobal Underground
Special thanks to Rodion Ladislau Roșca aka Rodion G.A.
The Sound of Art to Come Records is a Transylvanian based record label, home of Dub, Electronic and Experimental music
outcasts and exploring mavericks.
Deep in the heart of the Carpathian mountains, it transmits from the dimension of The Shape of Dub to Come.
Great track by Obeah and producer Marius Costache. I am proud to be featured with a keyboard solo on this particular track. Check this if you're into alienated, distorted sounds! Adi Stoenescu
Created in partnership with the Canadian noisemakers, the late legend's final collaborative LP enshrines his ability to lift joint ventures into otherworldly territory. Bandcamp Album of the Day Nov 8, 2021