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Dub Is Jazz EP

by Lil Obeah & Friends

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1.
Dub Is Jazz
2.
Dub
3.
Early in the morning we'll be startin' out Some honeys will be coming along We're loading up our woody With our boards inside And headin' out singing our song At Huntington and Malibu They're shooting the pier At Rincon they're walking the nose We're going on safari to the islands this year So if you're coming get ready to go Let's go now Everybody's learning how Come on now Come on now They're anglin' in laguna in Cerro Azul They're kicking out in Dohini too I tell you surfing's mighty wild It's getting bigger every day From Hawaii to the shores of Peru Let's go now Everybody's learning how Come on now Come on now
4.
Dawn after the Seventh Sun Gaia breathes again Leaves of the sibyl blown into chaos I, Piyadassi, beloved of the gods… Lacuna in inscription Civilisation faded into unknowns A shapeless void Bamiyan Buddha, eyes gouged out LAYS amongst potshards, Face up in DUST CLOUDS. The sound of Dub vibrations from the universe’s creation Yoni Khôra, receptacle of all possible being Divine craftswoman arranges atoms Space is the canvas Caligraphy of biographies I love walking through the cleansing breeze Picking up leaves Apothecary on the heath We’ll meet at the VnA then head to the Tate, That place is my heaven. Unreachable staircase The pieces give me moments of experience I reflect on the glass A ghost RESIDES in this box, you can’t see it but it is there Buy a cheap pen from the gift shop Note your SACRED dreams on the back of the flyer Scrawl in the margins when space runs out. The shape of your life yet to come. Prakriti leads wandering purusha TO the dance OF freedom. “I tell you the excellency of the present moment is dance Master the movements within the grid Find those moments of freedom in the grid Then Escape from the grid!” Looming tantra out of sutras, Thunder Queen slays the chaos that blocks the path. She who brings light, beckons me onwards “Take the leap, Injunctions can’t be falsified” But darkness engulfs the moon I cannot continue, I fear the unknown, Trembling above the precipice I’d rather rest amongst the ruins send me home! I last saw you by the crossroads Under the bells of Saint Pauls Setting forth to Bifröst Glistening in the all embracing sun But your eyes were covered I looked away, cowered We didn’t speak I ASSUMED time was endless All I have now is an image Which I struggle to recall Days when we discussed trends and colour theory blending Illustrations, sketchbooks croquis spiralled onto tables, buying material Dreams of trespassing the four great cities and the afterparties Whilst drinking beer that spilled over Amongst Melodious noise of glasses and jukebox samples in a pub long since closed our home town “Cheers, I owe you one!” “How did you get into the arts?”, [bring up the tone, fast pace, capture] “I wanted it, I just signed up and I did it” “You know, I rate that so much” “You need to just do it!” An old man emerged from amongst the passersby Whispered in my ear I was ripped out of everyday life Chaos encircled rattling I shook and screamed across the infinite universe I am alone We never SHARED goodbyes What is the point of those profound days when everything decays? I heard your call and IMMEDIATELY RUSHED to guide you When you ploughed the cursed earth I was Bhumi in the dust The locks of my hair dispelled the darkness When you know that death is the end, you truly learn to live, Make your dreams real Learn to play that tune The ghosts don’t want to hear you weepING Visit those sacred places again for me WHERE MY FEET CAN NO LONGER WANDER I’ll be waiting at the giftshop Everytime you open a new page…
5.
Dub IS Jazz

about

“My relationship with Jazz is a long story. No need to go into that though. Like I said it before Jazz and Dub are unison foundation from my perspective. To prove it I can just make a small list of the artists I can call dub jazz masters: Sly & Robbie Meets Nils Petter Molvaer + Eivind Aarset & Vladislav Delay, Nick Page’s Dub Colossus who blends Ethiopian Jazz and Azmari music with Jamaican Dub, Jamie Saft’s New Zion Trio, Hamid Drake & Bindu, Bill Laswell who remixed both Bob Marley and Miles Davis, Herbie Hancock who covered Marley and has a lot of records produced by Laswell in the spirit of Hip-hop Dub, Dennis Bovell who produced The Pop Group and Fela Kuti, Jah Wobble and Invaders of the Heart and Jamaican legends who played Jazz festivals all around the world like Monty Alexander and Ernest Ranglin.

I must give a shout out to New Zealand, Europe and Britains innovators like Salmonella Dub, Mei Tei Sho, Fat Freddy’s Drop, Sons of Kemet, Nubiyan Twist, Joe Armon-Jones and American trumpeter Theo Crooker who put out records with Chronixx and Wyclef Jean. Most of them have at least a dub jazz album, if not many songs where the jazz philosophy clashes with dub art and science.

I feel so blessed to add a dub jazz release to our catalog with the help of these amazing friends: Marius Costache, Gordon Wedderburn, DJ Isuru and Shabbos Ranks. More dub, more jazz!” Obeah

Marius Costache is a music artist, studio engineer, and Bucharest-based music producer. His passion regarding sound transcends the modern thin line of musical genre and steps into the world where sonic laws are meant to be just an example, not a path.

He is Discordless, performs with Environments and Febra, and from his Studio148 has produced, mixed, and mastered ambient music, electronic, hip-hop, post-rock, noise, folk, classical, jazz, post-hardcore and Balinese sounds for bands like Goran Bregovic with Florin Salam, Mytrip aka Angel Simitchiev, Valerinne, Cyberian, White Walls, The Boy Who Cried Wolf, EMIL, COMA and labels like his own 148, dunk!records and our Bulgarian neighbors AMEK.

„Dub is not far from jazz. King Tubby was a jazz head, Lee Scratch Perry too, they were jazz heads originally, and most of the session musicians are jazz heads. So you got to get into jazz and I’m glad that my brother taught me about Charlie Parker and Herbie Hancock. Nowadays we have Courtney Pine, each generation comes with a new thing, and it’s an attitude, so dub to me is almost like a technical form of jazz. That’s how I look at King Tubby, he would express his interpretation of the music through dub, even though that wasn’t the original concept. To me it was always like he was making jazz, even though it’s dub, because he would use the equipment to make the textures, solos, breaks or whatever. I would try and do things that were unusual electronically, a smoother sound, or I might want something that was more abrasive, use technology like that.” Paul Smykle in an interview with David Katz

credits

released August 23, 2022

Gordon Wedderburn – dub poetry
DJ Isuru – spoken word poetry
Shabbos Ranks: Celeste Cantor-Stephens - trumpet, Sam Day Harmet - original Surfin' production, mandolin, bass & clarinet
Marius Costache – production, keys, percussion, sounds, mixing & mastering
Horseman aka Winston Williams – drums
Laura Benedek – electric bass on Chaos Is Dub
Mihai Moldoveanu – electric bass Dub Is Jazz
Lil Obeah – concept
Collage and Art Direction by Cristiana Bucureci

All Lil Obeah vocals recorded by Marius Costache at Studio148
Special thanks to Nick Page Dubulah aka Dub Colossus
Special thanks to Tim Wheelan and Hamid Mantu de la Transglobal Underground
Special thanks to Rodion Ladislau Roșca aka Rodion G.A.

Mastered by Marius Costache at Studio148

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Sound of Art to Come Romania

The Sound of Art to Come Records is a Transylvanian based record label, home of Dub, Electronic and Experimental music outcasts and exploring mavericks.

Deep in the heart of the Carpathian mountains, it transmits from the dimension of The Shape of Dub to Come.

Contact: obeahmaniscoming@gmail.com
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